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August 05, 2019
Thomas Enhco, Cyrille Aimée
Jazz piano on the beach

*This event is under the exclusive patronage of Château Léoube, 83230 Bormes-Les-Mimosas
Full rate: 60€
Reduced rate: 30€
(Children under 12 years old, students)
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The Canebiers beach
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Thomas Enhco

Thomas Enhco, born in Paris, France in September 1988, is a French pianist and composer (jazz and classical music). He starts playing the violin and the piano at the age of 3, gives his first concerts and writes his first compositions at 6. At the age of 9, Didier Lockwood invites him to perform on stage with him at the jazz festivals of Antibes Juan-les-Pins, Vienne and Marciac. He studies jazz at CMDL and classical piano with the great master Gisèle Magnan. At 16, he enters the Paris Conservatory (CNSMDP), from which he is expelled two years later. Since then, he has released 8 albums as a leader and has been playing an average of 100 concerts per year around the world, both in classical and jazz venues and festivals.
His first album Esquisse, written and recorded at the age of 15 with his trio (and featuring drums-legend Peter Erskine) comes out in 2006.
In 2012, he moves to New York where he plays in jazz clubs, and he releases on Label Bleu his self-produced album Fireflies (winner of Victoires du Jazz 2013).
In 2014 he signs with Universal Music and records for label Verve his solo piano album Feathers (nominated for « Best album » at Victoires du Jazz 2015).
Parallel to his jazz career, Thomas Enhco develops in the classical music world. In 2016 he releases on legendary label Deutsche Grammophon the album Funambules, in duo with percussion virtuoso Vassilena Serafimova.
In 2017, he makes his debut as a soloist with symphony orchestras with Orchestre de l'Opéra National de Lorraine, Orchestre de Pau Pays de Béarn, Orchestre Régional Avignon Provence, Ensemble Appassionato, Geneva Camerata, Orchestre de Cannes, Kyoto Symphony Orchestra, Orchestre National de France and Orchestre National de Bordeaux Aquitaine.
As a composer, Thomas Enhco has written more than 100 works and regularly gets commissions from orchestras, chamber music ensembles, soloists, choirs and festivals.
He has notably composed a Concerto for Piano and Orchestra and a Double Concerto for Piano, Marimba and Orchestra (premiere in February 2019) for the OPPB Orchestra, four pieces for pianist Lise de la Salle (album Bach Unlimited, Naïve 2017), a suite for Brass Quintet and Piano (for Local Brass Quintet — album Stay Tuned, Klarthe 2019), a piece for Choir and Piano (for Spirito Choir)... He has also composed the credits of radio shows "La Récréation" and "Le Grand Atelier" on France Inter, and two film scores: Aux Arts Citoyens by Daniel Schick (2010) and Les Cinq Parties du Monde by Gérard Mordillat (for which he wins the 2012 FIPA d'Or for Best Original Score).
Just before turning thirty, Thomas Enhco records for Sony Music the album Thirty, which comprises seven new solo pieces and his Concerto for Piano and Orchestra. (Release: February 2019 on Sony Classical, Paris concert on April 17, 2019 at La Cigale).
For the past ten years, he has been playing an average of 100 concerts per year around the world. Among the jazz venues that have invited him, are jazz festivals of Tokyo, Montreal, Vienne, Montreux, Istanbul, Gent, Middelheim, North Sea, La Villette, l'Olympia... and among the classical venues, are festivals of La Roque d'Anthéron, Piano aux Jacobins, Philharmonie de Paris, Opéra de Bordeaux, Flagey in Brussels, French May in Hong Kong, Shanghai Grand Theater, Folle Journée de Nantes, Tokyo, Warsaw, New York, Mozarteum in Salzburg, Théâtre du Châtelet, Théâtre des Bouffes du Nord, Beijing Concert Hall...
The Philharmonie de Paris features him regularly, equally as a jazz and as a classical artist.
Thomas Enhco has won numerous prizes and awards, among which the 3rd Grand Prize at the 2010 Martial Solal International Jazz Piano Competition, the 2010 Django d'Or « New Talent », the 2012 FIPA d'Or for Best Film Score, the 2013 Victoire du Jazz « Révélation » (also nominated at the 2015 Victoires du Jazz), the 2nd Grand Prize at the 2017 Osaka International Chamber Music Competition, the 2017 Sacem ACEG Prize.
Collaborations with other artists include (Jazz): Didier Lockwood, Mike Stern, Kurt Rosenwinkel, Jack DeJohnette, Gilad Hekselman, José James, Baptiste Trotignon, Ari Hoenig, Patrick Zimmerli, Dan Tepfer, Ibrahim Maalouf, Emile Parisien, Vincent Peirani, David Enhco, Biréli Lagrène, Anne Paceo, Hugh Coltman, Peter Erskine, Daniel Humair, André Ceccarelli, Victor Lewis, John Patitucci, Hein Van de Geyn, Lew Soloff, Sylvain Luc, François & Louis Moutin, Joel Frahm, Cyrille Aimée...(Classical): Vassilena Serafimova, Henri Demarquette, Renaud Capuçon, Natalie Dessay, Laurent Naouri, Jean- François Zygel, Michel Dalberto, Anne-Sofie Von Oter, the Arod, Hanson, Modigliani and Voce string quartets, Beatrice Rana, Jérôme Pernoo, Caroline Casadesus, Lise de la Salle, Déborah Nemtanu, Xavier Philips...
As well as pop singers Jane Birkin, Christophe, Oxmo Puccino, dancer and choreographer Marie-Claude Pietragalla, director Alain Sachs, cartoonist Aurélia Aurita...
Since 2013, Thomas Enhco is supported in his projects by Fondation BNP Paribas.

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Cyrille Aimée

Improvisation is not just a technique for Cyrille Aimée, it’s a way of life. The acclaimed vocalist ventured from singing on street corners in Europe to dazzling audiences at the world’s most prestigious jazz festivals; from sneaking out to sing in gypsy encampments in her native France to acting on Broadway; from braving the notoriously tough audiences at New York’s Apollo Theatre to being called a “rising star in the galaxy of jazz singers” by the New York Times. Among countless accolades, Aimée won the Montreux Jazz Festival Vocal Competition and the Sarah Vaughan International Jazz Vocal Competition.

Her most recent album, LIVE, is the closing chapter of her years of touring with her innovative two-guitar line-up. As an actress, Aimée co-starred with Bernadette Peters in a Stephen Sondheim tribute at New York’s City Center. This has inspired her into digging deeper in the Sondheim repertoire for her next project. She’s shared her story via master classes, a TEDx talk, and an address at the Conference on World Affairs.

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