August 01, 2023
Adèle Charvet, Marina Monzó, Alexandre Duhamel, Alphonse Cemin
The Great Voices
This evening brings together the new generation of great opera voices, multi-awarded and programmed on the greatest stages in the world. They are young, funny and so talented!

*This evening is placed under the exclusive sponsorship of Aline Foriel-Destezet.
Rossini, Barbier de Séville « Una voce poco fa » A. Charvet
Mozart Don Giovanni
« La ci darem la mano » A. Charvet / A. Duhamel
« Madamina » A. Duhamel
Mozart, Cosi fan tutte « Ah guarda sorella » A. Charvet / M. Monzó
Mozart, La Flûte enchantée « Bei Männern » M. Monzó / A. Duhamel
Mozart, Rondo en ré majeur K485 piano solo, A. Cemin
Puccini, La bohème « Quando m’en vo » M. Monzó
Rossini, La Cenerentola « Non piu mesta » A. Charvet


Donizetti, Don Pasquale « Quel guardo il cavaliere » M. Monzó
Bizet, Carmen
« Séguedille » A. Charvet
« Votre toast je peux vous le rendre » A. Duhamel
« Si tu m’aimes » A. Charvet / A. Duhamel
Albéniz, Asturias piano solo, A. Cemin
Lara, Granada A. Duhamel
Chapi, Carceleras « Las hijas del Zebedeo » M. Monzó


Category 1 - 80€
Category 2 - 60€
Category 3 - 40€
Reduced rate (cat. 2 et 3) - 30€
PMR : Reservations by telephone required

Château de la Moutte
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Adèle Charvet
Adèle Charvet is a graduate of the Conservatoire National Supérieur de Musique de Paris.
Very attached to the art of the stage, she tackles leading roles of the baroque repertoire (the title role of Serse by Handel, Hermione in Cadmus and Hermione by Lully...), of the Mozart repertoire (Idamante in Idomeneo... ), Italian bel canto (Rosina in Il Barbiere di Siviglia...), and French repertoire (title role in Carmen, Ascanio in Benvenuto Cellini, Sélysette in Ariane et Barbe-bleue by Dukas, Mélisande in Pelléas et Mélisande, Stéphano in Roméo et Juliette...).
Her young career already brought her to the greatest opera and concert stages: Nationale Opera in Amsterdam, Barbican Center and Royal Opera House Covent Garden in London, Théâtre du Capitole in Toulouse, Opéra national de Paris, Opéra royal de Versailles, Opéra Comique, Opéra national de Bordeaux, Opéra National de Lyon, Festival d'Aix-en-Provence, Festival de Verbier.
As a recitalist, she is regularly invited to perform in recital with pianist Florian Caroubi.

Among her recent and future projects: Carmen (Mercédès) at the Paris National Opera and with the Orchestre Philharmonique de Strasbourg, La Cenerentola (Angelina) in Toulouse, Carmen (title part) and Giulietta e Romeo by Zingarelli at the Opéra royal de Versailles, Ariodante (title part) in Strasbourg, Le Journal d’Hélène Berr, a creation by Bernard Foccroulle with the Quatuor Béla on tour in France, Les Troyens on tour with the Monteverdi Choir and Orchestra, Le Nozze di Figaro (Cherubino) in Glyndebourne and, in concert, Schubert Mass No. 5 with the London Symphony Orchestra, Les Nuits d’été with the Orchestre National de Metz, Grisélidis with the Orchestre de l’Opéra National Montpellier Occitanie in Montpellier and at the Théâtre des Champs-Élysées as well as Orlando furioso with the ensemble Matheus.
Adèle Charvet is under exclusive contract with Alpha Classics.
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Marina Monzó
Marina Monzó was born in Valencia in 1994. After studying flute, she obtained her diploma in singing at the Conservatorio Superior de Música de Valencia. In 2016, she made her stage debut at the Bilbao Opera, where she performed the title role in La sonnambula.

She continued her vocal studies at the Accademia Rossini in Pesaro under the direction of Alberto Zedda, singing several years at the Rossini Opera Festival. She perfected her vocal technique with Isabel Rey, Gioacchino Zarrelli, Mariella Devia, Daniela Dessi, Renata Scotto, among others.
Marina has sung the roles of La Contessa di Folleville in Rossini's Il viaggio a Reims in Pesaro, Ines in Donizetti's La Favorita , Gilda in Verdi's Rigoletto at the Teatro San Carlo di Napoli and Théâtres de la Ville de Luxembourg, Giulia in Rossini's La scala di seta, at the Royal Opera House of Muscat and Rossini Opera Festival, as well as Susanna in Mozart's Le nozze di Figaro and Zerlina in Mozart's Don Giovanni, en el NCPA de Pekín, Fluvia in La pietra del paragone at the Rossini Opera Festival, Marola in La tabernera del puerto at the Teatro de la Zarzuela, Norina in Don Pasquale and Adina in Donizetti's L’elisir d’amore at the Teatro del Maggio Musicale Fiorentino and Despina in Mozart's Così fan tutte at the Palau de les Arts in Valencia.

Recent engagements include her role debut as Donna Anna in DON GIOVANNI at the Welsh National Opera, her debut as Queen of the Night in Mozart's DIE ZAUBERFLÖTE at the Bayerische Staatsoper in Munich and IL VIAGGIO A REIMS at the Deutsche Oper Berlin. Future appearances include LA SONNAMBULA in Liège, DON PASQUALE in Palermo, LA VIOLATION DE LUCREZIA and MEDEE in Madrid, RIGOLETTO in Las Palmas and Berlin, DIE ENTFUHRUNG AUS DEM SERAIL in Munich.
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Alexandre Duhamel
Nominated in the category « Révélation lyrique de l'Année » at the Victoires de La Musique Classique Awards, French Baritone Alexandre Duhamel is presumed to be one of the most interesting French singers of his generation.

He studied at the Paris National Conservatoire and was a member of the Opera de Paris Young Artist Programme. He was awarded ‘Le Prix Lyrique du Cercle Carpeaux’ and ‘Le Prix de Association pour le rayonnement de l'Opéra National de Paris’, which both reward the most noticeable young singer during a season. Alexandre made his debut at the Opera national de Paris in GIANNI SCHICCHI and returned there for L’HORLOGE ET LE CHAT, L‘ENFANT ET LES SORTILÈGES, LA FANCIULLA DEL WEST, DON GIOVANNI, LE ROI ARTHUS, PLATÉE and LES INDES GALANTES.

Alexandre opens the 2022/23 season with his house and role debut singing Alberich in SIEGFRIED at Staatsoper Stuttgart. After that he will return with Don Andrès de Ribeira in LA PÉRICHOLE to Théâtre des Champs-Elysées Paris and Opera Toulon. In Versailles, Alexandre will sing the title role of DON GIOVANNI as well as Don Alfonso in COSI FAN TUTTE, followed by Golaud in PELLÉAS ET MÉLISANDE at Lille Opera. Later in the season he will return to Liceu Barcelona to sing Lescaut in MANON, before he returns with Marcello/LA BOHÈME to Théâtre des Champs-Elysées.

Future engagements will bring him back to Théâtre du Capitole Toulouse, to Teatro Donizetti Bergamo, the Elbphilharmonie in Hamburg, Opéra Lille or to the Festival in Aix-en-Provence.
Recent engagements include his début with Escamillo/CARMEN at the New National Theatre in Tokyo. He returned to Opéra de Marseille to sing GUILLAUME TELL, he came back to Théâtre du Capitole Toulouse to sing Escamillo/CARMEN and to Halle aux Grains Toulouse for LE VILLI. At Opéra National de Bordeaux and Liceu Barcelona, he sang DON GIOVANNI and COSI FAN TUTTE.

Other highlights of his carreer include Panthée in LES TROYENS at Teatro alla Scala, Zurga in LES PÊCHEURS DE PERLES in Salle Pleyel, Le Vice-roi in LA PÉRICHOLE at Salzburg Festival, Golaud in PELLÉAS ET MÉLISANDE at Tokyo Opera City Concert Hall, Le Comte de Nevers in LES HUGUENOTS at Grand Théâtre de Genève, Ramiro in L’HEURE ESPAGNOLE at Stuttgart Liederhalle and Munich's Prinzregententheater, as well as Le Grand-Prêtre in SAMSON ET DALILA, Sancho in DON QUIXOTTE, Paolo in SIMON BOCCANEGRA all for Opéra National de Bordeaux.
During his young career, he already worked with conductors such as Michel Plasson, Sir Antonio Pappano, Marc Minkowski, Philippe Jordan, Carlo Rizzi, Alain Altinoglu, or Jakub Hrůša.

In concert, he has performed at the BBC Proms (POUR LES FUNÉRAILLES D’UN SOLDAT, L. Boulanger), at the Festival d’Aix-en-Provence, in the 40th Anniversary concert of the Théâtre Antique d’Orange and has given recitals at Amphithéâtre and Studio Bastille, the Corum de Montpellier for the Festival Radio France, and at the Opera de Bordeaux. He made his US debut with the Seattle Symphony Orchestra under Ludovic Morlot for L’ENFANT ET LES SORTILÈGES. His concert repertoire includes Fauré’s REQUIEM, Puccini’s MESSA DI GLORIA, Rossini’s PETITE MESSE SOLENNELLE, Beethoven’s SYMPHONY NO.9, Berlioz’s L’ENFACE DU CHRIST and Debussy’s L’ENFANT PRODIGUE. He has recorded Ramiro in Ravel’s L’HEURE ESPAGNOLE with Stéphane Denève and Asher Fisch.
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Alphonse Cemin
Born in 1986, Alphonse Cemin studied piano and flute at the CNR Boulogne-Billancourt before attending the Conservatoire de Paris. He is one of the founders of Le Balcon.
In 2015 Cemin directed Michaël Levinas’ opera La Métamorphose at the Musica festival in Strasbourg and, in 2016, the premiere of Tomas Bordalejo’s opera, Bureau 470. In 2017 he became Assistant Conductor at the Bolshoi Theater in Moscow for George Benjamin’s opera Written on Skin. This season he will direct Into the Little Hill, at the Théâtre de l’Athénée in Paris.
In recital Cemin performs regularly with soprano Julie Fuchs, Damien Pass, Marianne Crebassa, Léa Trommenschlager and Manuel Nuñez-Camelino. As a chamber music partner he has performed with, amiong others, Jean-Guihen Queyras, Tabea Zimmermann, Santiago Cañon-Valencia, Emmanuel Pahud, Paul Meyer and the Zaïde Quartet.
As a soloist, he has performed under the direction of Pierre Boulez (Pierrot Lunaire), Peter Eötvös, David Robertson and Mathias Pintscher. In 2010, he was HSBC Pianist of the Aix- en-Provence Festival Academy and in 2013 he received the Stockhausen Kurse Kürten Performance Award. In 2017 he won the Gabriel Dussurget prize at the Aix-en-Provence festival.